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Sasirekha Parinayam

Sasirekha Parinayam

Banner: Karthikeya Creations
Cast: Tarun, Genelia, Ahuti Prasad, Paruchuri Gopala Krishna, Subbaraju, Raghubabu, MS Narayana, Suthivelu, Sivaji Raja, Abhi, Giri, Surekha Vani, Tulasi, Geeta Singh
Genre: Romance
Music: Mani Sharma
Lyrics: Sirivennela & Anant Sreeram
Cinematography: Bhaskar Samala
Editing: Shankar
Art: Satyanarayan
Dialogues: Nagaraju
Story - Screenplay - Direction: Krishna Vamsi
Producer: Sunkara Madhu Murali
Release Date: 1 January 2009



Review:

Story:

Sasirekha (Genelia) is summoned by her strict father (Ahuti Prasad) to return home. After coming home she realizes that her marriage is fixed with an NRI and her wedding is due that night. She also learns that the groom's father is money-minded. She has no choice left but to run away. She meets Anand (Tarun) on her journey. He protects her and helps her. The rest of the story is all about the background of Anand and what happens between the couple.

Artists Performance:

Genelia: You would see an entirely different Genelia in this film. She did not wear any make-up. She is completely child-like and playfully innocent. It appears like she dubbed her own voice in certain scenes of the film. Her hysterical performance when she is slapped shows another shade of her. And her performance in the scene in which she banters after getting drunk is very good. She gave wide variety of expressions in this film.

Others: Tarun plays the second fiddle. But his performance in the hospital scene in the climax is ultimate. Ahuti Prasad scores again in this film. But his usage of expletives at end his dialogue is little discomforting to ears. Subbaraju dons a refreshing (away from his usual roles) role in this film. He is excellent. Paruchuri Gopala Krishna is extremely good as the villainous elder. Abhi did a significant role. Monali Chowdary is good in a cameo. MS Narayana is excellent in the tax-payers episode. Vamsi (Paiditalli from Happy Days) has a small, but interesting role.

Technical Departments:

Story - Screenplay - Direction: Story of the film has nothing to do with Jab We Met film but for a couple of slight references (heroine mouthing abuses on phone and the beginning notes of Edo song). The story of the film is simple. Hence it is very difficult to write screenplay. There is only one screenplay knot that is opened in the interval. The entire second half is about how heroine falls in love with the hero. Hence there is no conflict point in the second half as audiences are well aware by then that heroine's parents are not going to catch her. Though the initial half an hour after the interval bores you, the director turns it around with well conceived scenes towards the end of the film. The most hilarious scene in the film belongs to MS Narayana where he explains how drunkards are helping the Government. There are two defining moments in the second half –

1. Genelia's banter after getting drunk: The way heroine questions the man's attitude and explains the depth of women's heart showcases the director's deep understanding of women. The movie turns around from this moment.
2. Lead pair getting caught in an imbroglio: An unexpected scene from an unknown angle changes the complexion of the film and provides a lead to the climax.

The following episodes in the film are unappealing

1. The lorry driver rape attempt followed by hero saving heroine.
2. The court and jail episode.

Other Departments: Music of the film is alright. The best song on the screen is 'Edo' that comes before the climax. Nice rendition by Saindhavi helps the mood of the situation. Dialogues are nice. Krishna Vamsi seems to be allocating a few minutes of his film's runtime to eulogize certain things in his recent films. If he had lengthy dialogues about railways and Indian traditions in Rakhi and Chandamama respectively, he tells some good things about Vijayawada (only after belittling it). Cinematography is adequate. The producer should have taken more care in the postproduction (especially DI) which would have enhanced the visual appeal of the film.

Analysis: The title cards sequence (involving visuals of Maya Bazaar song Aha Na Pellanta') is very good. The first half of the film is adequate. The initial half of the second half is boring (a common problem with journey flicks if they do not have conflict point). The director makes it up in the last half an hour. The positive points are Genelia and last half an hour. On the flipside, there is no conflict point (that creates dramatic impact) in the second half. This film has elements that can go well with class audiences and women. We have to wait and see how it fares at box office.

Jaane Tu . . . Ya Jaane Na

Jaane Tu . . . Ya Jaane Na

Banner: Aamir Khan Productions & PVR Cinema

Cast: Imran Khan, Genelia D'Souza, Manjari

Genre: Love

Music: A.R. Rehman

Story - Dialogues - Lyrics - Screenplay - Direction: Abbas Tyrewala

Producers: Mansoor Khan & Aamir Khan

Release Date: 4 July 2008

Review:

A nephew wins over a son. The nephew of star Aamir Khan, Imraan Khan, mesmerizes his audience with his debut 'Jaane Tu Jaane Naa' with his sexy looks and histrionic skills. The female star Genelia D'Souza looks very cute & bubbly and performs excellently well.

Imraan Khan has followed in the footsteps of his father Mansoor Khan who launched Aamir Khan in his 'Qayamat Se Qayamat Tak' (QSQT) though Imraan's movie falls far short in respect of script, music and the treatment.

Still, Genelia D'Souza looks good as long as she doesn't speak a dialogue. No sooner she delivers a dialogue than she is exposed. Though it has some comic sequences, but suffers from inconsistency. This flaw in the movie's story is somewhat taken care of by the deftness of debutante director Abbas

Tyrewala.

Let's analyze the story that revolves around the central character of Jai Singh Rathod played by Imraan Khan. While Jai aka 'Rats' is by far the most non-violent Rajput (unusual though) hates to pick up fights, bubbly Aditi Mahan aka 'Meow' is quite a violent person. She screams, shouts and brings the whole house down. However, Jai is capable of calming her. Though belonging to two opposite directions, they attract each other.

In spite of their chemistry being the same, they are too good friends to think on such lines. But, soon they realize that this chemistry is nothing but love. In the story, Jai (Karan known as Rotlu) is accompanied by a bunch of three friends -- Alishka (as Bombs), Nirav (as Jiggy) and Sughanda (as Shaleen). All of them play their roles well but disappear later leaving no trace.

While Ratna Pathak Shah and her husband (in real life) Naseerudin Shah are at their best, Jayant Kripalani and Anuradha Patel (as Genelia's parents) are sweet and Ayaz Khan (as Genelia's fiance) leaves an impression. Paresh Rawal is fantastic (his usual) in a comic role. Alas, Arbaaz Khan and Sohail Khan hardly have a role to play and therefore disappoint the audience. Hence, everyone in the cast has justified his or her role. The director though a newcomer has fared very well.

The film is good for the young ones who would like to relive their past breezy college times. Besides, its two songs - "Kabhi Kabhi" and "Pappu Can't Dance" are worth remembering. We wish the director had made the second part of the movie as interesting as the first one. Thus, the movie would have ended with a proper climax and will not be a loser as it is likely to meet its low cost.

Ready (denikaina)

Ready (denikaina)

Banner: Sri Sravanthi Movies

Cast: Ram, Genelia, Brahmanandam, Sunil, Jayaprakash Reddy, Supreet, Shafi, Bharat, Kota, Nassar, Chandra Mohan, Tanikella Bharani, Srinivasa Reddy, Ravi Varma, Sudha, Vidya, Surekha, Apoorva, Tamanna (SA) & Navadeep (SA)

Genre: Comedy/Family

Cinematography: Prasad Murella

Stunts: Peter Hynes

Editing: M R Varma

Art: AS Prakash

Choreography: Sankar, Suchitra Chandrabose & Prem Rakshit

Dialogues: Kona Venkat

Story – Screenplay: Gopi Mohan

Music: Devi Sri Prasad

Director: Seenu Vytla

Producer: Sravanthi Ravi Kishore

Release Date: 19 June 2008

Story:

Chandu (Ram), an engineering student, falls in love with Pooja (Genelia), an NRI who comes to visit her uncles in Rayalaseema. A mistaken identity makes Chandu kidnap Pooja who is about to get married. The rest of the story is all about how Chandu sends Pooja back to her place and how he marries her by convincing elders.

Artists Performance:

Actors: Ram looked fine in his role and he seamlessly executed the same. His dance in the first song is very good. The scenes in the second half where Ram makes Brahmanandam a bakra are entertaining. Genelia is an asset to the film and the dubbing of Savita Reddy goes well with her. Brahmanandam as McDowell Murthy steals the show yet again with his hilarious comedy in the second half. He is like the second hero of the film. After Dhee and Krishna, this is the third film where he had the crowds in splits. Sunil did the role of a 'theda candidate'. His bharatanatyam (spoof of Sagara Sangamam) and the way he slaps himself is good (typical Seenu Vytla brand). The third impressive characterization comes from the kid who acts as JP's grandson. Jaya Prakash Reddy and Kota are good. Nasar and in parental roles are adequate. The way Surekha scolding her son to vent frustration on JP is humorous. Tamanna and Navdeep did guest appearances

Technical Departments:

Story - Screenplay - Direction: Story of the film is intricate. The screenplay by Gopi Mohan in the second half delivered the much required punch. You do not see Seenu Vytla brand of comedy in the first half except for a couple of scenes with Sunil. Most of the second half belongs to Seenu Vytla. The way he introduced Brahmanandam and made him an integral part in the second half is strategic. He extracted solid performance from Brahmanandam without being repetitive. Direction of Seenu Vytla is good in the second half.

Other Departments: Songs and background score by Devi Sri Prasad is good. The bonhomie song towards climax is a good on the screen. Dialogues in the film are in good health, away from vulgarity. We do except a better cinematography for a film of this stature. The money spent on the film could not reflect on its visuals, showing mediocre output in patches in certain scenes. Fights by Peter Hynes are well choreographed, but the script of the film does not really demand such buildup. Editing of the film is passable and the first half needs some trimming. Production values by Sravanthi banner are very good.

Analysis: First half of the film is mediocre. The second half is good with hilarious comedy by Brahmanandam. On the flipside, a better editing of first half and some of the fights would do something good to the film. This film is stuffed with ample commercial elements, mainly the vibrant comedy. Ready has potential chances to bring a hat-trick for Seenu Vytla after Dhee and Dubai Seenu. This film is worth a watch for the comedy.

Genelia stills from ready movie

Mere Baap Pehle Aap

Mere Baap Pehle Aap

Cast: Genelia Dsouza, Akshaye Khanna, Naseruddin Shah, Shobhana, Paresh Rawal, Om Puri, Rajpal Yadav, Manoj Joshi, Archana Puran Singh

Genre: Comedy, Romance, Slapstick, Family, Relationships

Lyrics: Tausif Aktar, Vidyasaagar

Music Director: Sameer

Director: Priyadarshan

Producer: Ketan Maroo, Mansi Maroo

Release Date: 13 June 2008

Review:

Janaradhan [Paresh Rawal] has spent his life bringing up his two kids, Chirag [Manoj Joshi] and Gaurav [Akshaye Khanna]. Now when the duo has grown up, Gaurav takes up the responsibility of his father. They both manage the household chores and their business to the best of their abilities. Though he is the younger son, he treats his father like his son. Gaurav shouts, threatens, fights, even locks up his father occasionally so that his prankster-friend Madhav [Om Puri], who is desperate to get married, does not spoil him.

Madhav and Janaradhan, who are always in search of a bride for Madhav, forever land up in trouble and every time Gaurav has to bail them out and face the embarrassment.Gaurav starts getting prank calls from a girl who turns out to be his old college friend Shikha [Genelia D'Souza]. Shikha is staying with her guardian Anuradha [Shobhana], who happens to be Janardhan's first love.

Gaurav and Shikha notice changes in Janaradhan and Anuradha's behaviors when they come face to face after many years. They come to know about their past. Now Gaurav wants his father to get married to his lost love. Of course, the path is not so smooth, there are obstacles.

Mere Baap Pehle Aap is a complete time pass venture. Priyadarshan is very clear that he isn't out to become a Madhur Bhandarkar or Amole Gupte and take away accolades. Priyan establishes his connect with the masses and is no doubt the good luck charm for all his producers.

Mere Baap Pehle Aap takes off as a complete laugh riot. The sequences and flow of events are so well executed. No one does such sequences better than Priyan. His characterization is simply splendid. For those who have had a sensation that Paresh Rawal is overdoing his comedy bit, watch this flick.

Priyan just didn't want to rely on comedy to run this flick but ropes in drama too. The drawback comes in here as he fails to sustain the length of the film which goes over 2hrs 30 mins. Except for the last 20 mins or so, the movie is tightly held and bound by Priyan's style and brilliance.

Cinematography by Piyush Shah is a delight with the splendid locales of Goa, Kerala etc. The movie requires a little trimming.

Music by Vidyasagar blends well with the film. The 'Ishq Subhanallah' and 'Maine Hawa' are tracks out to become hits provided they are promoted well.

On the acting front, Akshaye Khanna fits the bill and excels with his expressions, dialogues and body language.

Genelia does well primarily with her expressions. She's one heroine who is set to go places. No one besides Priyan could have given her such a meaty role.

Om Puri comes in as a revelation with comedy. The actor makes you giggle nonstop. Watch the interaction between him and Genelia at a mall. It's hilarious. He is no doubt the best in this flick.

Paresh Rawal too excels with comedy and this time doesn't look or sound repetitive. The sequences involving him and Archana Puran Singh are splendid. Do watch out for the combination of Om Puri and Paresh Rawal.

Rajapal Yadav surprisingly is barely there. Manoj Joshi is ok. Shobana impresses. Archana Puran Singh does well with her bit as the cop.

Mere Baap Phele Aap is the right mix for the family. It's sure to make you either giggle or laugh for most portions. Priyadarshan proves it once again that he holds stron.